THE SCURRYING WHITE MICE DISAPPEAR Where have they gone? The cage door unlocked is left open but that answers nothing. The snow outside will hide them if they are successful in crafting flattened versions of themselves and leave through the space where the high wall ends. This is only the nothing that is.…
TABLE OF CONTENT
POETRY
- Cassidy McFadzean, AMERICAN HARPY
- Evelyn Lau, FLORIDA \ IGNITE
- Kyla Neufeld, RATATOSK
- Mary Jo Bang, THE SCURRYING WHITE MICE DISAPPEAR
- Peter Dale Scott, CHANSAW DHAMMA
- Michael J. Shepley, NOVEMBER’S END
- Adam Zachary, NO DIRECTION
- Sina Queyras, THE RIVAL
- Jim Fisher, THE BEAST IN THE GARDEN
- Aaron Kreuter, SHIFTING BASELINE SYNDROME
- Evan Hoskins, MARKS ON THE ICE
- kjmunro, SCHIZOPHRENIC
- Amanda Earl, BEDLAM SPRING
- Rocco de Giacomo, THERE’S NO PEACE AT MY CAMPFIRE \ LAST SEEN
- Miki Fukuda, BESTIARY
- Edward Dewar, A SCAR
- Richard Sanger, DON’T ASK
- Elana Wolff, CORD
- Anthony Labriola, UNTAMED HEART
- George Moore, ARS POETICA
- Andy Verboom, THE MEGAFAUN: FACT OR FICTION?
- Tina McLennan, HOW TO MAKE MONEY FROM HOME
- gary lundy, NUDITY IS A SIGN OF REGRESSION
FROM THE VALLUM CHAPBOOK SERIES
- Jan Zwicky, from STRING PRACTICE
- Yusuf Saadi, from SONNETS ON A NIGHT WITHOUT LOVE
INTERVIEW
ESSAY
- James W. Wood, Perspectives on New Poetry from Britain and Ireland
REVIEWS
- Julie Mannell, A Map of Violence: Jordan Abel’s INJUN and the Failures of the Western Library
- Bill Neumire, A review of Margo Wheathon’s THE UNLIT PATH BEHIND THE HOUSE \ A review of Dane Swan’s A MINGUS LULLABY
- Megan Callahan, A review of Laurie D. Graham’s SETTLER EDUCATION
ART
- Andrea Minini, Artworks from the PREDATORS AND PREYS and ANIMALS IN MOIRÉ series
ADDITIONAL DIGITAL CONTENT
POETRY
- Roy J. Adams, WILD WATERS
- Katherine Noone, WINTER WIND***
- Daniel J. Langton, STANLEY PARK
- Robert Priest, THE WEED THAT GROWS WILD***
- Andrew Topel, ANATOMY – ABSTRACT THROUGH 7 THE BALANCING ACT
INTERVIEW
- A nonpartisan Conversation with GEORGE ELLIOTT CLARKE
REVIEW
- Kian Vaziri-Tehrani, A Review of John Sibley Williams’ DISINHERITANCE