contemporary poetry
An Interview with Poets Daniel Cowper and Emily Osborne, and Reviews of Cowper’s Kingdom of the Clock (McGill-Queen’s University Press, 2025) and Osborne’s Safety Razor (Gordon Hill Press, 2023)
by Bill Neumire
Almost to the point of absurdity, What’s it all for? is the central question of our lives; it echoes deep in all other questions, catches us in the car as we realize we’ve been working too much and forgetting what we’re working for, whispers to us as we make our art.
Theophylline: A Poetic Migration via the Modernisms of Rukeyser, Bishop, Grimké (de Castro, Vallejo)
By Erín Moure
House of Anansi Press 2023
Reviewed by Bill Neumire
Thus, with the poem “Everything,” begins Gary Barwin’s latest poetry collection, The Most Charming Creatures. Barwin, who has written 26 books, is also a composer (he earned his PhD in music composition) and multidisciplinary artist. Progressing in four sections, The Most Charming Creatures—follow-up to Barwin’s recent 2019 Selected Poems: For It Is a Pleasure and a Surprise to Breathe—takes its title from a science monograph. Explaining the title in an interview with Open Books, Barwin said:
Invoking Willem Dafoe, Neil Armstrong, Ryan Gosling, Shia Labouf, Nicolas Cage, and Peter Falk while also tapping into American Psycho, GQ, Vanity Fair, and Instagram—Paul Zits, author of the previous collections Exhibit, Massacre Street, and Leap-Seconds—creates an ironic speaker who marauds the earth searching only its “Instagrammability”…
Although Sylvia Legris’s sixth book of poetry, Garden Physic, opens with a poem titled “Plants Reduced to the Idea of Plants” which are then further playfully reduced to “woodcuts / (circa 16th century) reduced to Victorian floor tile,” this collection clearly accomplishes just the opposite: it elevates, celebrates, and even apotheosizes plants…
Nicole Rayiza Fong’s second poetry book, OЯACULE, immediately announces itself as a different kind of reading experience–with a dramatis personae, staging, and theatrical dialogue, the collection embraces a hybridity of theater and verse.
Pluviophile Yusuf Saadi Nightwood Editions, 2020 Deifying rain and language, Yusuf Saadi’s debut poetry collection, Pluviophile (lover of rain), flows with a playful dedication to the music of words. In an interview with Ariel Gordon, Saadi said, “I don’t have a theory of language or understand it at all, really, but I do often find […]
rushes from the river disappointment stephanie roberts McGill-Queen’s University Press, 2020 Part way through her latest book, rushes from the river disappointment, stephanie roberts’ speaker essentializes much of the collection when she says, in “Now I Know,” “that first loss wakes the whole heart to its task / sometimes forever.” In roberts latest book, the […]
SOME LEAVES Gary Barwin and rob mclennan above/ground press, 2020 In a collection with a title that rings Whitmanian, seasoned collaborators with over 50 books published between them, rob mclennan and Gary Barwin offer five brief pages of poetry that come closer to feeling very Bradburian, examining the the collision of nature and the technology […]
